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Classic Filmmakers: Spielberg Taking on a UFO Film, Scorsese Considering a Frank Sinatra Biopic Starring Leonardo DiCaprio and Jennifer Lawrence,

A Scorsese-Steven Spielberg joint venture on a “Cape Fear” TV series for Apple TV+ is also scheduled for release soon. Based on the Universal films from 1962 and 1991, the project will have the two giants as executive producers. (Spielberg’s Amblin Entertainment produced the 1991 noir thriller, which Scorsese directed.)

“Mind over matter,” as Mark Twain once remarked, describes ageing well. Nothing matters if you don’t mind about it. Age is undoubtedly not a factor in Martin Scorsese’s success. With “Killers of the Flower Moon,” the 81-year-old director, which received ten Oscar nominations for its historical crime epic, he has already planned other projects for the upcoming years. He is reportedly preparing to film two films back-to-back: a biopic of Frank Sinatra and one about Jesus.

Ageless Auditeurs: Spielberg Taking on UFO Film, Scorsese Eyeing Frank Sinatra Biopic

With “Life of Jesus,” which is based on Shūsaku Endō’s 1973 novel, the Oscar-winning filmmaker who contributed to the formation of the Hollywood New Wave of the 1970s hopes to finance the film independently of the studio system.

Spielberg used a similar strategy for the 2016 drama “Silence,” which was also based on an Endō book. Actually, Scorsese would like to work with “Silence” star Andrew Garfield again on the Jesus movie, but it’s not clear if the forty-year-old actor is being considered for the lead or for a disciple part. (Historians estimate that Jesus passed away between the ages of 33 and 38.) For the image, Miles Teller has also drawn attention. Filming is anticipated to take place in Egypt, Italy, and Israel later this year. With Israel at conflict with Hamas in Gaza, filming there might prove to be too logistically difficult. (A representative for Scorsese chose not to respond.)

Ageless Auditeurs: Spielberg Taking on UFO Film, Scorsese Eyeing Frank Sinatra Biopic

The Sinatra project might encounter certain obstacles as well. As the renowned crooner’s daughter, Tina Sinatra is in charge of her father’s estate and has not yet approved the movie. However, insiders claim that this hasn’t stopped Scorsese from assembling an incredible cast, which would include Jennifer Lawrence playing the singer and Leonardo DiCaprio playing his second wife, actress Ava Gardner. Gardner ended Sinatra’s marriage to Tina’s mother, Nancy Barbato.

With two of the world’s biggest movie actors in the starring roles, major studios and streaming services are showing interest in the picture. Although Sony is reportedly in the lead to acquire the movie, Apple, which provided funding for the $215 million “Flower Moon,” would dearly love to continue working with Scorsese.

“Mind over matter,” as Mark Twain once remarked, describes ageing well. Nothing matters if you don’t mind about it. Age is undoubtedly not a factor in Martin Scorsese’s success. With “Killers of the Flower Moon,” the 81-year-old director, which received ten Oscar nominations for its historical crime epic, Spielberg has already planned other projects for the upcoming years. He is reportedly preparing to film two films back-to-back: a biopic of Frank Sinatra and one about Jesus.

Among the group of directors who have over 75 credits, Scorsese is not the only one pursuing some of his most ambitious projects. Three of his countrymen are included in the newly revealed lineup for the Cannes competition: 77-year-old Paul Schrader (“Oh, Canada”), 81-year-old David Cronenberg (“The Shrouds”), and 85-year-old Francis Ford Coppola (“Megalopolis”).

Hollywood has not always been kind to ageing auteurs; Billy Wilder, for example, struggled for two decades to have one more movie produced. Their fruitful latter years are astonishing in light of this.

Schrader, who authored the script for Scorsese’s landmark 1976 film “Taxi Driver,” says, “I’m sure most artists want to keep working, but sometimes you’re not fortunate enough, lucky enough, good enough to stay in the arena.” You’ll merely be labelled as a symbol of something that once existed if you lack that creative drive. However, I needed to continue working. I was dealing with some COVID-19 health issues, and every time I felt like I might pass away, something new would occur to me.

Ridley Scott is 86 years old and intends to stay in the ring. When Paramount screened spectacular scenes for movie theatre executives at CinemaCon, footage from his eagerly anticipated return to the Colosseum for a “Gladiator” sequel dominated the headlines out of Las Vegas.

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At the presentation on April 11, Paramount CEO Brian Robbins said, “We wanted to make sure you were the first to see this footage—and in order to give you the very first look, what we’re showing you today is unfinished, but a very exciting piece.” The swords-and-sandals story, starring Paul Mescal and Denzel Washington, appeared more polished seven months ahead of its November release, maybe because Scott continues to collaborate with excellent below-the-line staff members.

“Ridley Scott is one of the most tenacious and vibrant auteurs working today and the master of creating the kinds of movie spectacles that the cinematic experience was created for,” adds Robbins, who will collaborate with Scott on his upcoming Paramount Bee Gees biopic.

The 77-year-old Spielberg is also keeping himself occupied. Probably a UFO movie based on his own concept, this will be his next effort. Sources claim that David Koepp is penning the screenplay.

Perhaps no career longevity achievement is as remarkable as Clint Eastwood’s. With “Juror No. 2,” the 93-year-old director recently completed postproduction. Analysts claim Warner Bros. . is excited by what it has seen of the thriller directed by Nicholas Hoult, which centres on a murder trial juror who discovers Spielberg might be responsible for the victim’s death. A logical storyline twist will arise if the low-risk, low-budget movie ends up being successful, given that multiple studios rejected it. Eastwood is still a formidable opponent at ninety-three. “The elderly generation considers Eastwood to be their great-grandfather,” quips Schrader.

 

 

 

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